In this horror comedy film, Pascal plays a villainous role, flipping the script on his typical protagonist casting. Bloodsucking Bastards is a movie that puts Pascal in a very unfamiliar place, yet the actor excels, making this horror comedy a must-watch.
Bloodsucking Bastards Is One Of Pedro Pascal’s Most Underrated Films
Bloodsucking Bastards follows a group of office workers who slowly begin to realize that their workplace has been overtaken by vampires. The lead heroes notice odd behavior and strange occurrences around the office, followed by a dead body drained of blood by one of the vampires.
What happens next is a story of gore, action, and oddly humorous interactions, and it’s the latter where the film truly thrives. The comedy is very dry, yet it works. This, combined with the horror elements, makes Bloodsucking Bastards a true genre blend that thrives in its unusual nature.
Pascal Shines In A Very Different Kind Of Role
Pascal, who had arguably the best year of his career in 2025, thrives in Bloodsucking Bastards as the lead villain. It’s a unique role in the actor’s filmography, as rarely ever has he played a character that squares off firmly against the story’s protagonist like this.
Pascal’s character is less humorous and more villainous, meaning that he plays a big role in making the film the genre-defying story that it is. Pascal’s character radiates with confidence, so much so that he comes off as arrogant. He’s witty, handsome, and the exact kind of boss that the film’s lead hero fears will be in charge.
Pascal does a great job of selling the character’s motivations behind being a vampire as well. As revealed in the third act, Pascal and the other leaders chose to be vampires as a means to increase their productivity at work, thus making their company more successful.
It’s an absurdist reveal that goes to show the lengths some will go to in order to impress their superiors at work, while also drawing a clear distinction between Evan, the film’s hero, and Pascal himself. The duo has good chemistry as well, which helps to make this one of the most underrated performances and films of Pascal’s career.
- Release Date
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September 4, 2015
- Runtime
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84 minutes
- Director
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Brian James O’Connell
