While it doesn’t tend to rank among the best Terry Crews movies, given his relatively minor (albeit hilarious) supporting role, Sorry to Bother You is unquestionably one of the greatest projects the actor has ever been involved in. The film’s basic premise, concerning a call center that sells slaves to billionaires, is unapologetically intent on bothering us.
Initially conceived by writer-director Boots Riley as a rap song, this breathtaking work of satire with 93% on Rotten Tomatoes will leave you wondering what you just watched by the time its end credits roll. The full extent of the movie’s genius can be measured by how much more it rings true today than when it was released.
What Is Sorry To Bother You About?
Sorry to Bother You begins with its protagonist Cassius “Cash” Green desperate for a job so he can pay his rent in Oakland, California. Realistically enough, he finds work in a local call center, which sells books by cold-calling upmarket middle-class neighborhoods. From this point on, the movie’s skewering social satire comes into play.
Cash learns to use a “white voice” to appeal to potential customers, which boosts his sales figures exponentially, since the moneyed recipients of his cold calls are far more willing to trust someone who sounds like an educated white man. Comedy legend David Cross provides the requisite dubbing for this brilliantly inventive gag.
It’s after Cash’s prodigious book-selling earns him a promotion that things take a really dark turn. Sorry to Bother You feature two horrifying twists which are set up perfectly by the wickedly dystopian worldview it presents. Overall, this movie is the sharpest, most profound work of pitch-black cinematic satire since Terry Gilliam’s Brazil.
It shines a spotlight on real-world elements of social delay that have only become more pronounced in the 2020s. There’s the extreme precarity of the gig economy, the repression of collective organizing, the apparent futility of legislative (mis)representation, dehumanizing technological advancements, corporate sanitization of wage-slavery, and the manipulation of genuine social outrage for money-making and political gains.
At the same time, Boots Riley draws on his love of the sci-fi and horror genres to create a movie that’s as visually striking as it is thematically compelling. Sorry to Bother You isn’t just a disruptive work of revolutionary art. It’s a homage to the big-screen giants it stands on the shoulders of, from John Carpenter to John Landis.
Sorry To Bother You Isn’t The Only Satirical Sci-Fi Movie Starring Terry Crews
As much as Sorry to Bother You is a one-of-a-kind masterpiece, Terry Crews has form when it comes to starring in prescient dystopian satires on the big screen. In 2006, he starred in the classic frat-pack comedy Idiocracy, a movie which depicts the future of humanity in the most backward terms.
In this Mike Judge film, Crews plays a phenomenally stupid president drawn from the entertainment industry, who wears an ostentatious wig and primarily governs by making outlandish pronouncements directly to rallies of his supporters. Make of that what you will. Idiocracy also makes several key predictions about society at large which many commentators argue are already coming true.
The future to which Luke Wilson’s protagonist is cryogenically transported features a dramatically simplified version of human language, a generalized disdain for science, a degradation of entertainment to puerile animalism, and the absolute conflation of governance and corporate consumerism. Wilson teasing the idea of an Idiocracy 2 in recent years has only added weight to the arguments of these commentators.
Movies like Idiocracy and Sorry to Bother You aren’t just shrewd indicators of where society is going. They’re important estimations of the present day, which force us to examine ourselves from a different perspective in order to gain fresh insights. They cleverly bring home truths to our attention under the guise of exaggerated comedy.
It tells us a lot about Terry Crews as a socially-conscious public figure as well as an actor that he alone has been involved in both projects. Perhaps it’s time for him to follow his role in Sorry to Bother You with another satirical masterclass.
- Release Date
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July 13, 2018
- Runtime
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112 Minutes
- Director
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Boots Riley
- Writers
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Boots Riley
